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Artists CV
Sean Fingleton
1950 :
Born, Malin, Co. Donegal.
1972 : B.A.
Degree in English and Philosophy, U.C.D.
1973 : Higher
Diploma in Education.
1973 : National
Diploma in Art.
1979 : Regional
Technical College, Letterkenny.
1979-80 :
Post Graduate Study N.C.A.D.
Group Exhibitions
1977 : Interaction Student
Exhibition.
1982,88,89,90,91,92 : Oireachtas Exhibition.
1982 : Exposure III Exhibition.
1986 : Temple Bar Gallery Studio Artists.
1987 : Self Portrait Exhibition -
Project Arts Centre(by invition Michael O'Dea)
1987,88,89,91 : Clairemorris Open
Exhibition.
1978,79,80,82,83, 84,85,86,87 : Independent
Artists Exhibition.
1986,87,88 : Taylor Galleries Artists
Summer Group Show.
1988 : Process as Image.
1988 : Arnotts National Portrait Awards
Exhibition.
1988 : Celtic Vision.
1989 : Temple Bar Showcase Exhibition
at the R.H.K.
1991 : Great Book of Ireland, Irish
Museum of Modern Art.
1992 : "Transmission", Art
for Somalia.
1992 : Represented Ireland at Expo.
1993 : RHA Exhibition.
1993 : Bloomsday Rubicon Gallery.
1994 : RHA Exhibition.
1994 : Academy without Walls Exhibition,
RHA Gallery.
1994 : Síolrú-National
Maternity Centenary Exhibition RHA Gallery.
1994 : FSIA - Ten year Ten Artists
Exhibition, Bank of Ireland Exhibition Centre, Baggot Street.
1994 : Taylor Galleries Christmas
Exhibition.
1995 : A Terrible Beauty,Collyer Bristow
Gallery, London. (Nine Irish Artists)
1995 : RHA Exhibition
1995 : IONTAS Exhibition
1995 : Oireachtas Exhibition
1995 : Claremorris Open Exhibition
1996 : Oireachtas Exhibition.
1996 : Claremorris open Exhibition.
1996 : Winter Exhibition, Temple Bar
Gallery, Dublin.
1996 : Christmas Exhibition, Taylor
Gallery, Dublin
1996 : RHA Exhibition.
1996 : IONTAS Exhibition.
1996 : Oireachías Exhibition
1996 : Ainscough Contemporary Art
Christmas Exhibition
1997 : RHA Exhibition.
1997 : Oireachtas Exhibition.
1997 : Christmas Exhibition, Dye House
Lane.
1997 : Animal show, Ainscough Contemporary
Art, Chesea, London.
1997 : Claremorris Open Exhibition.
1998 : Stour Gallery, Warwickshire.
Two Painters and Two Potters.
1998 : Charemorris Open Exhibition.
1998 : Stour Gallery Warwickshire
Christmas Exhibition
1999 : RHA Exhibition
1999 : Stour Gallery, Warwickshire.
Twelve Landscape and Seascape Painters.
1999 : Works from Gordon Lambert Collection
- Irish Museum of Modern Art
1999 - 2000 : Lifescapes - Recent
Aquisitions - Irish Museum of Modern Art
1999 : Aer Rianta Gateway to Art Exhibition
1999 : Boyle Arts Festival
1999 : Four Painters - Back Stage
Gallery, Longford
1999 : Recent Insights - Cavanacor
Gallery, Donegal
2000 : Aer Rianta Gateway to Art Exhibition
2000 : RHA Exhibition
2000 : Taylor Galleries Summer Exhibition
2000 : Stitches and Ditches - Works
from the Irish Museum of Modern Art, Enniskillen and Carrick-on-Shannon
2000 : Christmas Exhibition - Taylor
Galleries
2000 : Christmas Exhibition - Cavanacor
Gallery, Donegal
2000 : Christmas Exhibition - Dye
House Lane, Waterford
2001 : Landscapes - Dye House Lane,
Waterford
2001 : RHA Exhibition
Two Person Show with Ronan Walsh
1986 : Cork Art Society.
1986 : Temple Bar Gallery, Dublin.
1987 : Castlebar and Sligo, Arts Council
touring show.
1987 : Taylor Galleries, Dublin.
1987 : Riverrun Gallery, Limerick.
1988 : Wexford Arts Centre.
Three Fold Exhibitions
1988 : Taylor Galleries, Dublin(with
John Behan and
G. Knuttel).
1992 : Goldstein Gallery, Kingston,
Ontario (with Ronan Walsh and Laurie Swim)
One Man Exhibitions
1990 : Dundalk Town Hall.
1990 : Musashino Gallery, Tokyo.
1990 : Orchard Gallery, Derry.
1990 : Earragail Arts Festival, Letterkenny.
1991 : Taylor Galleries, Dublin.
1997 : Taylor Galleries, Dublin.
Awards
1986 : Independent Artists
Large Painting Bursary.
1986 : GPA Award.
1991 : Prizewinner Claremorris Open
Exhibition.
1993 : Fergus O'Ryan RHA Memorial
Award.
1998 : Prizewinner Claremorris Open
Exhibition.
1999 : RHA Exhibition.
1999 : Stour Gallery Warwichshire
- 12 Landscape and Seascape Painters
COLLECTIONS
Public Collections
Irish Museum of Modern Art.
The Irish Arts Council.
Department Of An Taoiseach.
The European Parliament, Strasbourg.
Garda Síochanna Training College.
North Western Health Board Offices,
Kildare Public Libraries.
Other Collections
Allied Irish Banks.
Bank of Ireland.
GPA Group.
Stokes Kennedy Crowley.
Royal insurance.
St. Vincent's Hospital.
St. Edmondsbury Hospital.
St. James' Hospital.
Kelly's Strand Hotel.
Jury's Hotel.
Letterkenny General Hospital.
University College Dublin.
Limerick University.
Woodchester Bank.
Arthur Anderson Ltd.
Independent Broadcasting Company.
The European Parliament, Strsbourg.
Royal Hospital, Gloucester
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Danny
Cunningham
Personal
Born 1972
Education Crawford College
of Art, B.A. - (1st Class Honours) 1994
Limerick School of Art, Dip A.D.T. (1st Class Honours) 1995
Awards Crawford Diploma
and Degree Shows received "Painter's Prize" in 1993 And
1994
L.S.A.D. Irish Times Award of Year. 1995
Exhibitions
2000 - Nov 15 - Dec 30 - Upcoming one
person exhibition in Old Market House Arts Centre, Dungarvan
2000 Sep 10 - 17 - Group
Exhibition "The Rivers of Ireland" Lismore Arts Centre,
Co.Waterford
2000 - May - Group Exhibition
at Ballyduff Drama Festival
2000 - 1998 - Waterford
County Council Collection at New Civic Building Dungarvan, Co. Waterford
1998 - Cork Art Trail
in Blackcombe Gallery
1995 - Living Landscape.
Recent Graduate's Exhibition " a snap shot of emerging landscape
painters". West Cork Arts Centre, Skibbereen, Co.Cork
1993 - "Seoda an
Mumhan" - Group Show, Conradh an Gaeilge, Cork.
1999 - 2000 Artist in Residence Tallow
'National School', John Hogan outreach education workshop in association
with W.C.C.
2000 - 2001 Sarah Purser
- Painting Programme in association with Garranbane National School.
Danny graduated from Crawford College of Art and
Design, in Cork, with a first class honours degree in Fine Art Painting.
During his final year in college he returned home, to Dungarvan,
to draw inspiration from the places familiar to him, namely the
shallow river beds around Co. Waterford that he used to explore
in his scouting days. These paintings, on paper, were huge, some
measuring up to twenty feet long by nine feet high. These spontaneous
and vibrant paintings won him Crawford's "Adventurous Painters
Prize".
Over the next few years Danny experimented with
unique and exciting compositions inspired by the lush and meandering
Tay river valley, near Stradbally. He initially painted in the same
'on the spot' style that won him much acclaim in Cork. Gradually,
however, he found that this method was somewhat limiting and more
could be achieved by working these same compositions onto solid
canvases. His approach became more methodical as he began to work
not only on the forest but in his studio, building up layers of
colour and texture over months and even years. This new method allowed
the work to go one step further, creating a new solidity and a greater
awareness of light and shade, colour and markmaking. It also allowed
Danny to experiment with the many textures of oil paints, applying
them with different implements from a plaster trowel to a domestic
decorators brush; creating various thicknesses from 'elephant skin'
to watery translucent varnishes.
In River Painting Danny uses colour in a very
considered way. Exaggerating the actual rich natural colours of
objects in the damp river valley, enjoying the 'peaty' colours of
water in flood, or the seasonal variations in foliage.
Over the last few years Danny has moved out from
Glenshelane and Tay valleys searching for new motifs on the Finisk,
Dalligan and Colligan Rivers. Danny has exhibited in several local
and national exhibitions. He also has been 'Artist in Residence'
on a number of educational projects for the Co. Waterford Arts Office.
'RIVER PAINTING' by DANNY CUNNINGHAM
OLD MARKET HOUSE ARTS CENTRE, DUNGARVAN
Nov. 15 - Dec.22
This exhibition by Dungarvan artist Danny Cunningham
offers a fresh approach to such a familiar and often mistreated
subject matter. These large-scale oil paintings are studies - obsessions
almost; that depict swollen riverbeds and their surroundings through
the fusion of mark-making and colour. The mark-making is energetic,
aggressive and overtly masculine, and the viewer is required to
solidify the given information in order to construct the image.
Thick slabs of paint are contrasted with viscous washes. The use
of colour is surprisingly vast and at times violent clashes occur.
The artists' technique is jarringly effective and works well although
colour theorists may disagree.
The compositions vary but most are rooted
in the peaty river valleys that surround the artist's locality.
The peaty earthiness is a constant feature and proves intriguing
as it gives some of the paintings a claustrophobic and melancholic
quality.
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